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Perhaps
you have tried the publishers and agents route and are disappointed.
Don’t
feel badly. Most successful writers have been rejected over and
over again. They just persevere.
So, you’ve come to one
of the most important booklet sections. You’re
either disgusted with all the rejections, anticipating rejections,
or deciding you don’t want to spend the time and money to go
through the anguishing process of courting agents and publishers.
You’re now considering what we call CUSTOM PUBLISHING,
or GOING IT ON YOUR OWN.
This is a viable alternative
for two reasons. Not only does it save the anxiety, money and your
time pursuing agents and publishers; but it might get you the foot
in the door you want. If you can make successful run at publishing
on your own, you'll have some proof that your work is worth the risk,
and you can approach agents and publishers with a track record. This
is significant.
Imagine someone coming to you
and saying, “Trust
me, I can make you money with my writing,” but who has nothing
but an unproven manuscript; vs. “Look
at what I’ve managed to do on my own so far!” showing
you a successful track record of publishing and selling. As a publisher
who would you pick to work with?
Here’s where that PERSISTENCE comes in.
Many successful writers self-published first. Many successful writers are still
self-publishing.
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(There are hundreds!)
The Elements of Style, William Strunk
Fugitive Pieces, Lord Byron
How to Form Your Own Corporation for Under $50, Ted Nicholas
How to See Europe on $5. a Day, Arthur Frommer
Huckleberry Finn, Mark Twain
The Jungle, Upton Sinclair
Lady Chatterly’s Lover, D. H. Lawrence
Leaves of Grass, Walt Whitman
Looking Out for #1, Robert Ringer
The One-Minute Manager . . . Johnson & Blanchard
Poor Richard’s Almanac . . . Benjamin Franklin
Roberts’ Rules of Order, Henry M. Robert
Tarzan series ( 1931-1948), Edgar Rice Burroughs
A Week on the Concord and Merrimack Rivers, Henry Thoreau
And Stephen King has toyed with self-publishing as well, even on the web.
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So how do we go about this? How
do we start?
You have choices to make:
Subsidy (Vanity) Presses vs. Custom Publishing
- see below:
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Any publishing
company which requires the author to pay for the editing and reproduction of
their book.
Note:
If you research the internet, you’ll
find many. They’ll all tell
you why they are different and better than the others. They’ll
all persuade you that you are the publisher and you are in total control
of your work. Some even imply that they study the manuscripts and
only accept the professional ones. But all we’ve researched
so far shows that even these, when tested, will accept and print
any manuscript given them, good or bad, edited or not.
Consequently, book buyers and distributors
know who these companies are, and look at their books differently than standard
published works. This is not to say that you should be embarrassed that you’ve paid to have your book published.
This only means that you have enough faith in the quality of your work that you’re
willing to market it yourself until you can prove it’s worth a standard
publisher taking it over. Or, that you have ways to market and sell your book
that doesn’t depend on the standard bookstores to sell for you.
When you commission a subsidy publisher
to do your book, this by no means eliminates all the work it is necessary
for you to do to succeed. Most will not edit, or do only spelling and grammar
edits for additional monies.
And, some of the control you lose
(like using a template for the book cover, as opposed to being able to work
out a design specific to you and your project) might be areas where you’d
rather not loose control.
Most
important, NONE do all the advertising and marketing necessary to
get the word out there and tell the world how important and interesting this
book is. That job will be mostly yours, no matter what avenue you manage for
getting it printed. We will be mentioning this over and over again, so please
don’t
get upset when we do. It’s so essential. And we find that more
often than not, new authors are unaware that this is part of the job
of succeeding as a writer. They are hoping some large publisher will “find” them
and so fall in love with their work that they will pick it up and
run with it, paying for advertising in the New York Times Book Review,
and organizing book signings at all the large bookstores. Dream on!
If the word gets out that your book is good
and available, 90% to 100% of that effort will have to be yours. And if you don’t
believe in the book, it its worthiness, it’s captivating writing,
and interesting topic, then you cannot expect anyone else to believe
either.
Is it worth the work? Then go
ahead and make that part of what you’ll do for it, and for
yourself. Don’t
abandon the project partway through just because you thought this
part would be easy or someone else’s job. Take it on happily.
For no one can talk about your book with the authority you can.
No one can answer the questions, persuade an audience, find the
correct venues to present your book as well as you. Make up your
mind that it’s
worth it and you CAN do it!
If it’s worthy, it’s worthy
of your efforts. If it’s not, how
can you ask someone else to take and run with it? It’s either
a good product or it's not.
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Much
of the small details and decision-making are taken from your shoulders.
The ISBN number, listings (at least on the publisher’s own
web site), and the book may be listed and offered through some other
venues as well (usually at an extra cost). Even the packaging and
shipping to suppliers can be managed for you.
That’s worth something. In
fact, it’s worth the majority of the profit of your book!
If you’re
not concerned, and just want to move on to writing that next book,
this may be the best avenue for you.
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If
their ISBN number is supplied - this company will be noted as your
publisher everywhere the book is listed. So, not only will it NOT
be a SELF-published book, but the publisher’s name and address,
on the title page of the book will be a known subsidy press. Many
book purchasers recognize these names, and it immediately is apparent
that you paid to publish this book. No shame in that. It just is apparent
you did not go through the process of publishing acceptance.
Vanity presses
all ask for their set-up (printing - if a quantity of books is included) money
up front. You’ll have no “wiggle room” to negotiate
a re-do if there is anything wrong. But in these trying financial times, I don’t
imagine you’ll be able to convince any of them to bill you. (Note "Custom
Publishing" below as an alternative.)
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Check
your contract. No matter what a sales person tells you, the contract
is the final word. Do you have the rights for subsequent sales? Movies?
Large print books? etc.
Is there a cost to transfer your book to a new publisher later?
Is this an exclusive?
If you
have any questions, get a professional to look it over for you. Once you sign
- you won't be able to negotiate anything different - a least not without additional
expense!
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POD publishers
are still subsidy (vanity) publishers. They are just using a specific process
to reproduce books. It’s a totally risk-free set up for them.
Print on Demand is a term for books which are reproduced from elaborate copying
machinery. It has a computer which takes in your text and cover information (for
a fee), and then your book can be reproduced one at a time on this machine. It
prints each page, the cover, and perfect binds them together.
Many of your subsidy publishers are
POD publishers. They may explain that in their literature, or not. Rest assured,
if they are not reproducing at least 500 or more books all at once, this is
probably the process which will be used.
Offset (and web) printing, which long ago, was the ONLY process used to reproduce
books, is only feasible in larger quantities. Even 500 is often considered a “short
run,” and many printers will not go that low. As we explained before (), even the smaller publishers
usually consider 2000 a minimal run length for books they decide to handle.
There are those who say they can tell the difference - that the quality (especially
of the cover) is noticeable. But others argue not. If you are negotiating with
a POD subsidy publisher ask if they could send you some samples of books they’ve
done. Then study them carefully. If you’re happy with the quality, maybe
they’ll do fine for you.
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You never have
to handle a book. They’ll do it all for you. Some authors,
after running through their own first printing, realize that sales have fallen
off and another large quantity “batch” probably will not sell well.
If they THEN to go a POD publisher, books can still be made available to the
public, small commissions can still be made, but the expense and risks are not
so great.
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There will either be an "up-front"
fee to put your book on their computer, or a "per-book" price that's high enough
to cover their costs and then some. The
book prices are usually high, as one book is done at a time. If competitors’ books
sell for less, this might be enough to steer them away from your book.
You’ll have to purchase books
for yourself from the POD publisher at their higher rates. (They may offer you
a small discount when you buy your books, but the price will still be higher
than your own print run book.) And even if you decide you can sell a bigger batch,
say at a conference or presentation you are planning, your per-book price will
remain the same. Most POD printers offer no quantity discount.
Your big book distributors (Ingram,
Baker & Taylor, Amazon, Barnes & Noble, etc.), which enable you to offer your
book at the large chain bookstores require a “buy
back” provision. This means that
if they order books to offer to bookstores, and they are handled or damaged
in any way, the publisher will buy them back - no questions asked.
POD publishers
will not do that. When they produce a book, they want it gone. They are not in
to storage, retrieval, and all that entails. So your book cannot be listed with
Ingram or Baker and Taylor, or other book distributors requiring that "buy back."
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If they own
the ISBN, in order to move the book to another publisher (or do it yourself)
you’ll have to begin all over again, with a new ISBN and setup.
They’ll say the text material is yours, but if they did any layout or
design, they’ll claim that and you’ll either pay them to release
it to you, or you’ll have to begin again setting up a book to reproduce
elsewhere, brand new cover and all.
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OR . . . Now we come to . . .
Orchestrating
the (TRUE
Self-publishing or Custom Publishing.) |
SELF-PUBLISHERS
are their own publishing company. Most reproduce, copyright, list with wholesalers,
set for sale on the internet, send out promotional materials, take orders, ship
books, and keep the records themselves. They own their own ISBN number(s), and
consequently are listed as a publisher with Bowker, the ONLY company which sells
the ISBNs.
If
you don't purchase your ISBN number from Bowker, but are provided one from a
Subsidy Publisher - then THEY are the Publisher!
If any company says they'll provide you
an ISBN number, but you are still the publisher - they are wrong! THEY will
be the publisher.
That's
all there is too it! You own the ISBN = you are the publisher. They own the ISBN
= THEY ARE THE PUBLISHER!
You CAN do it all yourself – becoming
your own publisher. You can establish your own publishing company (we'll show you how to do that), or we’ll
serve that purpose for you. As it makes no difference to us (Touchstone Communications)
we’re not pushing
to take over any parts of the process. We’ll just explain it all and you
can take the information and run with it yourself. We are available to consult
(offer advice and support and suggestions) we can do some of the groundwork,
and we can find you the best reproduction prices from our connections, or help
you find a printer of your own who fits the bill for your project. We can prepare
your manuscript for any reproduction process, help you through the steps to do it, or you can do that yourself.
If you are considering publishing
yourself, all the steps are laid out here in our subsequent booklet sections
for you. Or we offer one-on-one consulting support and help with any or all parts
of the process. We cannot do it all for you, but we can do much that would unburden
you to finish the job of writing and editing the project, and you still keep
as much control as desired.
You can tackle any parts of the project
you’d like, in order to save money. And you
can have us guide and help you with any other parts you’d rather not have
to spend the time and effort on all alone.
Also, it’s sometimes just good
to have someone just to ask a question.
We get really upset when trying to understand some process, and cannot
get anyone to talk to. Most often one simple question holds up an entire project
when one cannot get an answer. So we sit at the computer and steam - struggling
through web pages, and instructions - or sitting on the phone punching in numbers.
It’s
so frustrating!
Here we will talk with you. You can email us for an answer. If we cannot answer,
we’ll begin researching to find an answer for you.
You can call - email
us for the current
phone number, and since we are Verizon-wireless, if you are also,
that call is free for you. Our first encounter can be free, to give you time
to decide if you’d like our help.
So check out our self-publishing booklets,
soon to be free on line:
(links
coming - as soon as updated)
(links
coming - as soon as updated)
(links
coming - as soon as updated)
(links
coming - as soon as updated)
(links
coming - as soon as updated)
(links coming - as soon
as updated)
(links
coming - as soon as updated)
Currently each booklet is still being refined and edited. As we are still putting them
together, they are FREE to peruse on our web site as much as you like. You could
even email us a comment or suggestion
- or criticism - and we’ll take that
in to consideration as we continue to refine the booklets.
Once they are complete, we may offer
them as eBooks and printed booklets from our web site, at minimal cost. We are
committed to refining and updating them continually as this field of publishing
is changing so rapidly now. Between the digital revolution, and the tight economic
times, new information can be immediately available here. Check our (coming soon).
The booklets will be updated as soon
as we see the need. We’ll
put the dates on the booklets, so you have some idea how current our information
is.
We realize that as excellent as so many books on self-publishing are (See our
-
currently in process) - they quickly become outdated as the world of publishing
changes. So our goal is to offer a place where the latest information is available.
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You needn’t
do all that research, send out all those query letters and suffer all those rejections.
You can get published right away.
The cover design, the exact layout
and thrust of your writing can be exactly as you envisioned. No one will ask
you to revise it, turn it around or change anything.
The best part? All of the extra money,
after preparation, printing and shipping will be yours. There are no middlemen
to take their chunk of the proceeds.
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The biggest?
You'll need to come up with money up front to reproduce your book. (See "Finding
the Money" section
9 of our guides). The more books you can justify reproducing, the less it will
cost you per book. More books sold = less cost per book = more direct profit
per book.
You need to consider all the
details, (some subsidy-publishing companies will handle some chores
for you, but not all. And often that will cost you extra as well.)
These details include: Copyright filing,
listing with book sellers, taking orders and shipping books out. These become
your responsibility. (We can help you, though.)
It’s a risk deciding
how many books to print and have on hand. Be sure you get extras.
Some you'll feel obligated to give as gifts
- (Surely Mom will get one free?); and definitely have some to send
off to publishers and prospective volume buyers!
(Keep
in mind, with subsidy publishers, after the first few free books included in your "package," if you
want additional books, you’d
have to buy them from your vanity publisher anyway.)
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There are lots
of ways to spend your money offering the promise of good things to come. There
are contests you can enter (figure about $80 - $100 per entry) in the hopes of
winning a competition and some money. There are publicists who will design your
literature and perhaps send it off to some standard book advertising places (This
doesn’t mean
it will get published. They’re just sent
out for acceptance - no promises.) There are book shows and conferences offering
to “display” your book for a fee.
Our advice would be, unless you are
familiar with this organization, trust that it’s got some promise for you,
and you’ve gotten some positive feedback
from other authors you respect, don’t throw your money away.
If you are a good writer, you should be able to put together good literature
to sell your book. Again (you’ll get tired of us saying it!), we CAN help
- while we’ll cannot do it all for you, we do put together a “suggested” postcard,
brochure, and promotional literature when clients ask and the only charge is
our time, which is minimal. We don’t push our services, figuring you’ll
want to do as much yourself as possible, both for the experience and the savings.
We help when asked. We charge only for our time.
Then you can get the product printed yourself, or we’ll give you our best
prices for reproduction and you can decide. You’re never stuck with us,
but enabled to do as much as you want for yourself.
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When the author takes control of his book project, but requires assistance for
some part of the publishing process.
The difference (as we see and define
it) is that you pay for the help, as you get it, so that no royalties or percentages
of the job are taken from the book proceeds at the end.
We consult for $50 an hour, do graphic
design for $40 an hour, and straight typing for $30.00 an hour. We can find you
an editor, an artist, a printer, or web developer. All the work is “pay
as you go,” so you can start and stop as you
wish, and do whatever parts of the project you’d like.
And once the job is done ALL the profits
from the sale of the book are yours. You may decide to list it on Amazon, with
Barnes & Noble, or even Baker & Taylor, and those distributors will take
a percentage. But you don't have to do that, and the books you choose sell on
your own will provide a much better profit percentage.
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All
the work is “pay as you go,” so you can start and stop as you
wish, and do whatever parts of the project you’d like. No royalties
or percentages of the job are taken from the book proceeds at the
end. So you can see a better return on your investment of time and
money for yourself.
You are still a totally
free agent, so can have your book listed for sale on Amazon, with wholesalers
like Ingram and Baker and Taylor, or send out postcards to your own
mailing list. There is no “package” price
which has you paying for services you don’t really need, nor
restrictions you must adhere to.
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Publishing and marketing any
book takes dedication and work. While a consultant - project manager
- book coach - whatever you wish to call us, can help a lot in the
process, the final thrust has to come from you.
Remember how we said that you cannot expect
anyone else to go to bat to sell your book if first you aren’t willing
to do that yourself? Well, that’s
true here as well. The biggest rewards are available here - but also your dedication
and work are essential to success.
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No matter how much
coaching, advice and support you get,the final responsibilities, for proofing,
paying and selling are yours. Don’t be fooled by someone
promising you big sales for their consulting work. Consulting, coaching, etc.
is just that, not selling your books for you.
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(Do Contact Us and suggest a company you'd like us to include if we've
missed it.)
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